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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it results in a comically executed chaotic run on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film is in British and Irish theaters from November 17.

Written by

Debra Reynolds

A tech enthusiast and lifestyle blogger with a passion for exploring how innovation shapes daily life and culture.

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